
Bette Davis and Richard Barthelmess in The Cabin in the Cotton. Michael Curtiz. 1932.

Bette Davis and Richard Barthelmess in The Cabin in the Cotton. Michael Curtiz. 1932.
Posted in cinema, context, cute couple alert


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April 30, 1973



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May 30, 1973

Detail of the back of Red Rose Speedway. The Braille says “We love ya baby” and it’s for Stevie Wonder.

Detail of the back of Living in the Material World.
Posted in apple records, context, Macca, music, on your sleeve, years after the event

Top row: David Bradley in Kes. Clint Eastwood in Paint Your Wagon. Robert Redford in Butch Cassidy and the Sundance Kid.
Center row: Hiram Keller in Satyricon. Richard Harris in A Man Called Horse. Joe Cocker in Woodstock.
Bottom row: Helmut Berger in The Damned. Mark Freschette in Zabriskie Point. Alain Delon in Borsalino.
Posted in cinema, context, zabriskie point

The Young Girls of Rochefort. Jacques Demy. 1967.

Françoise Dorléac and Gene Kelly.

Catherine Deneuve and Françoise Dorléac.

Posted in cinema, context, decorative sex

Mal St. Clair (, seated behind cameraman Walter Lundin,) directs Barbara Kent—who died last week at age 103!—in Welcome Danger. 1929.
Also pictured from left, Gaylord Lloyd (just visible), Wallace Howe, Jimmy Anderson, Harold Lloyd, head electrician “Bard” Bardwell and Harold’s double Jake Jacoby.
St. Clair’s contributions as director went uncredited.
Posted in cinema, context, we are the dead

May 23, 1922.
Posted in booze, cinema, context, hundred-year-old headlines

Films and Filming reporter Allen Eyles musters about as much of an endorsement of The Beautiful Blonde from Bashful Bend as one could.
April 1973.
Posted in cinema, context, dig the critics, Sturges