Category Archives: context

death of a set

“Pinewood’s Alexandria stood through most of last winter and spring, through Elizabeth Taylor’s illness, the lengthy arguments over the Cleopatra insurance, the substitution of Rouben Mamoulian as director by Joseph L. Mankiewicz, and the calling in of Lawrence Durrell to write a new script. Now the whole Cleopatra project has removed itself to sunnier locations, the stone lions and temples and obelisks have been pulled down, and the twelve minutes or so of film actually shot by Mamoulian—whose final cost, one newspaper cruelly estimated, must have been in the region of a thousand pounds a foot—is all that survives. These photographs, taken shortly before the demolition of the set, record its sad splendours. The ‘Royal Calendar’ below was put up by the unit outside Elizabeth Taylor’s dressing-room; and will be set up again in California, or Italy, or wherever Alexandria is finally reconstructed.”

Photographs by Thomas Picton. Sight and Sound. Summer 1961.

even more modesty blaise

“Dirk Bogarde as arch criminal Gabriel, one of the ‘top people’ in his profession”

“Monica Vitti as Modesty Blaise—armed with a bow made out of Willie’s leather belt and an arrow which springs from her lip stick container”

“Willie is given a lactic dip by a group of veiled arab women”

“Stamp as Willie Garvin, about to enter a submarine device to steal a rich haul of diamonds from the hold of a British freighter”

“Rossella Falk, Monica Vitti, Terence Stamp and Dirk Bogarde”

from Films and Filming April 1966.

you’re rendering that scaffolding dangerous

Rendering that scaffolding dangerous at Woodstock. 1969.

five pictures of bowie

Part Three: Bowie and Nick Roeg relax on the set of The Man Who Fell To Earth.

the decorative sex

Proto-skank Jean Harlow with headlights on. Iron Man. Browning. 1931.

festival time!

The nouvelle vague at Cannes. 1959. Foreground (left to right): François Truffaut, Raymond Vogel, Louis Félix, Edmond Séchan. Second row: Edouard Molinaro, Jacques Baratier, Jean Valère. Third row: François Reichenbach, Robert Hossein, Jean-Daniel Pollet, Roger Vadim, Marcel Camus. Back row: Claude Chabrol, Jacques Doniol-Valcroze, Jean-Luc Godard, Jacques Rozier.

stroheim in london

Arrival in London: Erich von Stroheim and Denise Vernac. 1954.

she’s coming down fast

Winter 69-70

I don’t know how I managed to forget to post this earlier but…Forty years ago today, blah, blah, blah.

Anyway, a few days ago, in preparation for this post, I went through all of the 1969 back numbers of Sight and Sound and Films and Filming that I have—I have the complete year of both magazines—and I could find absolutely no mention of the murders whatsoever until this small item in the 1969 obituaries in the Winter 1969/70 issue of Sight and Sound. Sort of classy of them I suppose but expect no such displays of decorum from this shithole site as I offer this dramatic reenactment of the events of the early hours of August 9, 1969.

Comin' down

knives out

dig the critics

Sight and Sound. Summer 1970.

five pictures of bowie

Part Two.