Top row: David Bradley in Kes. Clint Eastwood in Paint Your Wagon. Robert Redford in Butch Cassidy and the Sundance Kid.
Center row: Hiram Keller in Satyricon. Richard Harris in A Man Called Horse. Joe Cocker in Woodstock.
Bottom row: Helmut Berger in The Damned. Mark Freschette in Zabriskie Point. Alain Delon in Borsalino.
Posted in cinema, context, zabriskie point
The Young Girls of Rochefort. Jacques Demy. 1967.
Françoise Dorléac and Gene Kelly.
Catherine Deneuve and Françoise Dorléac.
Posted in cinema, context, decorative sex
Mal St. Clair (, seated behind cameraman Walter Lundin,) directs Barbara Kent—who died last week at age 103!—in Welcome Danger. 1929.
Also pictured from left, Gaylord Lloyd (just visible), Wallace Howe, Jimmy Anderson, Harold Lloyd, head electrician “Bard” Bardwell and Harold’s double Jake Jacoby.
St. Clair’s contributions as director went uncredited.
Posted in cinema, context, we are the dead
May 23, 1922.
Posted in booze, cinema, context, hundred-year-old headlines
Films and Filming reporter Allen Eyles musters about as much of an endorsement of The Beautiful Blonde from Bashful Bend as one could.
April 1973.
Posted in cinema, context, dig the critics, Sturges
Jean-Luc Godard directs Fritz Lang, Brigitte Bardot, Michel Piccoli and Jack Palance in Le Mépris. 1963.
Posted in context, music, on your sleeve
A horrific display outside a Manhattan cinema (across the street from a Walgreens) entices passersby to check out screenings of Fiend Without a Face. 1958.
Posted in advertising, cinema, context
The bullshit brigade is out in London promoting The Beast from 20,000 Fathoms. Circa 1953.
Posted in advertising, cinema, context
Aggressive advertising for I Was a Teenage Werewolf. Those people lining up were bound to leave disappointed. 1957.
Photo and original caption: Sight and Sound. Spring 1958.
Posted in advertising, cinema, context
chained and perfumed 