
Jane Birkin commandeers some of the paparazzi’s equipment at Cannes. 1975.

Jane Birkin commandeers some of the paparazzi’s equipment at Cannes. 1975.
Posted in cinema, context, decorative sex, festival time!, music

Startling Music. David Hentschel. 1975.
Here’s a weird one. A synth-based track-by-track cover album of Ringo Starr’s Ringo LP on Starr’s own Ring-O Records vanity label (because, at the time, Ringo was as obsessed with his nickname as he is now with the concept of “peace and love”). This album is not unlike Paul’s Thrillington project (which was recorded a few years before it but released a few years after it) in that the Beatle involved couldn’t be bothered to play on the thing so the actual music is played by top-drawer session folk. In the case of Startling Music, most of the drumming is handled by Phil Collins. And because it’s a former Beatle in the 70s, of course at least one track has a reggae lilt about it. Those dudes couldn’t get enough of that stuff.
Posted in music, record labels, years after the event

Italian picture sleeve of Twelve Thirty. The Mamas & the Papas. 1967.
Posted in context, music, on your sleeve

Al Jolson and Harry Langdon in Hallelujah, I’m a Bum or as it was called in the UK, Halleujah, I’m a Tramp. Lewis Milestone. 1933.

Orson and Angela Lansbury in The Long, Hot Summer. 1958.
Posted in cinema, context, f for orson

Robert Altmanand crew on the set of Brewster McCloud, which happened to be the Houston Astrodome, as Bud Cort hangs in the bird machine. 1970.
Posted in cinema, context, on the set of

Lee Tracy — who ran into career trouble in late November 1933 when he supposedly pissed on a parade of military types while filming on location in Mexico City — in Advice to the Lovelorn. Alfred L. Werker. 1933.

Times Cinema on Baker Street in London showing a double bill revival of Un Chien Andalou and Häxan: Witchcraft Through The Ages. Circa 1968.
Posted in advertising, cinema, context