
George Harrison and Bob Dylan in The Concert for Bangladesh. Saul Swimmer. 1972.

George Harrison and Bob Dylan in The Concert for Bangladesh. Saul Swimmer. 1972.
Posted in apple records, cinema, context, music, years after the event
Posted in cinema, context, music, record labels, years after the event
Posted in context, Macca, mail bag, music, years after the event

What one can only suspect is an unauthorized endorsement of Filmmakers Newsletter by John Lennon and Yoko Ono. 1971.
Posted in advertising, cinema, context, music, old magazines, years after the event




A relative rave for a pre-John Yoko. Films and Filming. October 1967.
Posted in cinema, context, music, years after the event

The Grey Album. Danger Mouse. 2003.

What’s this you’re wondering? Oh, just a lapel pin depicting Bugs Bunny riding the Dark Horse Records logo. It sort of makes sense considering that Warner Brothers Records was the longtime parent company of Beatle George‘s vanity label. According to the eBay seller who listed this item (and also took the lovely photo you behold), it was produced some time in the early 1990s.

Above is a mid 1970s era Dark Horse Records belt buckle that looks like it was produced with a little more care than the lapel pin. Two-hundred of these were created for Harrison to give out to friends and family.
Posted in context, music, promo only, years after the event


Films and Filming. January 1969.
Posted in apple records, cinema, context, dig the critics, music, years after the event

Startling Music. David Hentschel. 1975.
Here’s a weird one. A synth-based track-by-track cover album of Ringo Starr’s Ringo LP on Starr’s own Ring-O Records vanity label (because, at the time, Ringo was as obsessed with his nickname as he is now with the concept of “peace and love”). This album is not unlike Paul’s Thrillington project (which was recorded a few years before it but released a few years after it) in that the Beatle involved couldn’t be bothered to play on the thing so the actual music is played by top-drawer session folk. In the case of Startling Music, most of the drumming is handled by Phil Collins. And because it’s a former Beatle in the 70s, of course at least one track has a reggae lilt about it. Those dudes couldn’t get enough of that stuff.
Posted in music, record labels, years after the event