

Sight and Sound. Spring 1965.


Kiss Me, Stupid. Wilder. 1964.
Posted in cinema, context, dig the critics
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Peter Baker reviewing Psycho for Films and Filming. September 1960.
Posted in cinema, context, dig the critics


Sight and Sound. Autumn 1964.

Sight and Sound. Autumn 1965.

Sight and Sound. Autumn 1968.
Odd that they embraced Help! as much as they did. I tried to watch that again a year or so ago—I hadn’t seen it in ages—and thought it was pretty awful. Then again, this magazine embraced a lot of awful things over the years.
Posted in cinema, context, dig the critics, years after the event


Sight and Sound. Autumn 1973.

Sterling Hayden, Nina Van Pallandt and Elliott Gould.

Elliott Gould in The Long Goodbye. Altman. 1973.
Posted in cinema, dig the critics

Sight and Sound. Summer 1970.
Posted in apple records, cinema, context, dig the critics, Macca, music, years after the event
The Lennons, quite famously, for a week in 1972 took over the Mike Douglas Show acting as talent bookers and cohosts. This gave John endless opportunities to chain-smoke and not allow Yoko a word in edgeways and allowed Yoko to come off generally (from what I’ve seen) as a patient, intelligent and borderline likable individual. Here we have something special indeed: footage of Mike, John and Yoko interviewing lady-filmmaker Barbara Loden about her then recently-released masterpiece, Wanda. Of special interest to me, for obvious reasons, is the clip of Wanda that is aired about ten minutes in. I’m either an idiot (which is very, very likely) or wordpress doesn’t allow dailymotion embedding so you’ll have to click the top pic to watch the video. Taped in New York City on February 1st 1972. Aired February fifteenth 1972.










“Brothers and sisters, brothers and sisters, brothers and sisters, why are we fighting?”


Gimme Shelter. 1970. David Maysles, Albert Maysles and Charlotte Zwerin.
“Altmont was the culmination of a long series of bad trips in the Rock world and its perhaps perfect matching of the most sinister figures in American and British Pop cultures, The Hell’s Angels and the Rolling Stones is one of those master strokes of history beyond the invention of any fiction writer or film-maker…Bravo, you measly brothers! You’ve captured on film the epic of a self-destructive generation.”
– Albert Goldman, The New York Times
Posted in cinema, dig the critics, Jagger, music

Here’s an seemingly rare favorable review for the last film that the great Preston Sturges directed, Les Carnets du Major Thompson aka The Diary of Major Thompson aka The French, They Are a Funny Race (you know, the more titles a film has, the better it generally is). By 1955, the year of this film’s release in France, Sturges was living in greatly reduced circumstances (compared to his Hollywood heyday) in Paris where someone (I forget the particulars but I’ll sort them out and add an update) allowed him to direct this film. It did nothing to restore his career. This surprisingly kind review appeared in the January 1958 issue of Films and Filming. Sturges fan that I am, I am somewhat embarrassed to report that this is his one film that I have not yet been able to see (if anyone out there knows how I can check this one out please make me aware), but it is usually dismissed as an unfortunate final act to an otherwise (more or less) great career.


Posted in cinema, context, dig the critics, Sturges